A Picture Pioneer


William A. Brady is the husband of Grace George, the famous actress of the legitimate stage, and father of Alice Brady, who needs no introduction. But he is also something far more than that.

For twenty-five years Mr. Brady has been a dominant factor in American theatricals as a pre-eminent stage manager and discovered of wonderful histrionic gifts, as a promoter of both the popular and higher-class drama, a patron of American authors, and as a builder of theatres. And though it does not concern us here, it may be remarked in passing that he is also an authority on pugilism, a national political force, and throughout the war the close and confidential personal friend of President Wilson. But what does practically concern us is his prominence as a motion-picture manufacturer and director — a prominence which gained his appointment by the President in 1917 as organiser of the motion-picture industry, and a fighting arm of the American Government.

In a word, Mr. Brady knows the whole art of production — both on stage and screen — from A to Z, and it was only to be expected that he would have some very interesting and illuminating things to say upon films and film players, so during his visit to England I begged Mr. Brady for an interview, which he very kindly granted.

An Very Early Motion Picture.

“I was connected with practically the first motion picture ever shown,” began Mr. Brady, – “which appeared in 1891, after Jim Corbett, my protege and find, beat Sullivan. It was made by Edison, and featured Corbett, in a fight — not a real fight, however. But he had made such a success that Edison persuaded him to go through some of his pugilistic poses before the camera.”

“And your recent productions, Mr. Brady ?” “Well, of course, I’ve produced all the World-Brady productions — the Select pictures have come under my direction, too — but if you want me to mention particular plays, here are a few: Rasputin, The Whip — yes, Maurice Tourneur was the director, but I was responsible for the racecourse scenes— Sealed Orders, and Little Women, of which I belive you already have a version by an English Company, Mr. Samuelson’s.”

MHC (The Picture Show, July 5th, 1919)

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